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Deleuze and Moving Time (kr)
“실제로 예술가들 또한 사유한다. 그러나 그들은 자신들의 이념아 스스로 작업하는 질료에 내재적이라고 생각하기 때문에 시간과 공간의 구축을 통해 사유한다.” (Rodowick, 2005, p. 11) 이틀 전 로도윅의 책 “들뢰즈의 시간기계”를 다시 읽었다. 읽은 김에 정리해 놓는 것이 좋을 것 같아서 일단 한국어로 대강대강 노트를 해볼까 한다. 그리고 아마도 이어서 어제 보고 온 Jon Rafman의 작업으로 연장시켜 현재의…
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Flatness and Donatello
I went to the V&A today to see Donatello’s sculpture works. Although it was less about Donatello but related to similar styles or influenced by him, worth to see at least once for whom study Deleuze’s Logic of Sensation. I personally think it would be a different perspective on Egyptian Art, which Deleuze mentioned as…
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A Idea that Haunts Me, Spatial Emotion and Temporal Memory
This text is written in course of discussion of Hauntology with Possible, Probable, and Preferable (PPP). As I have little knowledge about Hauntology, this text is purely speculative and personal in terms of its understanding of Ghost and Ontology. As the name suggests, this name, Hauntology, reminds me of a ghost, a figure with no…
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Realistic as Photographed
Which is realistic colour? This question arose in the middle of editing my video. Below the image is two identical screenshots from my square frame project. The only difference here is the colour adjustment. It is a very subtle change between the two, but it also strongly affects the atmosphere in both images. While I…
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A Time of Lost Name ≈ The Water Ghost
I love to see the water. The ocean or the river? All have their own charm. By looking at them, I forget everything around me and even myself. I sometimes fear seeing them for too long, as if I will be taken by them for good. Or is that what I wish for? In Korea,…
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An Ordinary Life
This text is part of a collaborative discussion on “normal” or “dailylife.” The year of children has its routine, its ritual is governed by the seasons; A lonely child plays with eternity, while a pack of children play with time. (Karel Čapek, K (2012) An Ordinary Life, p. 29) What is an ordinary life? Ordinariness…
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A Note from Notes from Calvino
In part of the study on the Oulipo, I read Italo Calvino’s book Six Memos for the Next Millennium (1988). This book revolves around five topics Calvino prepared for the lecture at Harvard University in 1984, following Charles Eliot Norton’s poetry lectures. Five topics include Lightness, Quickness, Exactitude, Visibility, and Multiplicity (Consistency was the unfinished sixth topic).…
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Oulipo, Purposeful Constraints
Starting from Roland Barthes, Haiku, and Shijo, the most striking character in those discussions was constraints/structure within practices. As I described in a previous post, those practices strictly follow specific rules that define the practice itself. For instance, Haiku follows word count or the main topic, season words. Thereby whole structure is under the restriction…
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Planning for the Bracket
It was Roland Barthes I started to interest in Haiku. Frankly speaking, as a Korean, I’ve studied Japanese culture in a very critical way. It does not represent the entire Asian culture but a very specific part of the earth, which once tried to remove Korean culture during the invasion between 1910 and 1945, including…
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Barthe and Deleuze’s Interrupted Rhythm
Introduction During tense research and thinking, critical reflection often causes questions about the method and ethics of the research. Endless doubts and suspicions dry me into the desert. Then, I go back to relax. From his writing, his kindness and warmth are delivered and telling me ‘relax and float’. As much as I love sparkling…
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The Screen Space
In my childhood, computer game was a fixed space, without time or location. There were events, people, quests, stories, and objects, but it was a fixed spacetime. It might be possible to say that it was because I had a challenging time in my childhood with sudden disconnection from my friends and country. I was…
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Encountering Small Questions
The research process constantly encounters small questions from others and myself. I had two questions for the last few months that struck my thinking. The first one related to Deleuze that someone claimed he is too masculine to read further. The second was about his concept of Chaos and why we should discuss Chaos at…
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Jonas Mekas
Why have I never watched Jonas Mekas Film ever? Walden (Diaries, Notes and Sketches) (1968-69) is an amazing film. Or there should I call it an amazing visual diary? In his Lecture, he told his student about the places a lot. About New York, and move to Lithuania. Why he didn’t mention people? I don’t…
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Lost Posts
This is terrible news. I lost all my blog posts… Luckily I saved some drafts of the writings; I assume I can put some of them back (I have put back most of it). Maybe this is not horrible as it sounds, as it will give me a chance to reread all my notes on…
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Arthur Danto, Moving Picture
Ref: Danto, A. C. (2006) ‘Moving Pictures’, in Noël Carroll & Jinhee Choi (eds.) Philosophy of film and motion pictures: An Anthology. Blackwell philosophy anthologies. Malden, MA: Blackwell Pub. p. 103-112 Section I (100-103) Moving Picture in Picture history (Comparison between film, painting, and drama) 섹션 1에서 단토가 가장 처음 하는 것은 필름을 연극에서 분리시키고…
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According to the Schedule
One fear that I have always is that things are not following my plan. I’m not a good organiser, nor a good planner. I forget schedules or appointments and sometimes intentionally close my eye shut to the outside. So, I should keep checking my diary and calendar not to remember what I have but reminding…
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Foucault’s Essence in Deleuze
Only in Korean, English will be posted later. Keywords Foucault’s Deleuze 우연히 찾게된 알라딘의 한 우연히 찾게된 알라딘의 한 리뷰, 람흔이라는 이름으로 쓰여진 이 글에는 푸코와 루셀에 관한 이어짐 그리고 루셀에 대한 중요성을 알아본 들뢰즈에 대한 이야기가 짤막하게 적혀있다. 그는 푸코가 극히 적은 경우에 한하여 문학에 관하여 논의하였지만 루셀에 대한 논의의 중요성을 매우 적은 사람,…
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Foucault, Literature, Essence in Deleuze
우연히 찾게된 알라딘의 한 리뷰, 람흔이라는 이름으로 쓰여진 이 글에는 푸코와 루셀에 관한 이어짐 그리고 루셀에 대한 중요성을 알아본 들뢰즈에 대한 이야기가 짤막하게 적혀있다. 그는 푸코가 극히 적은 경우에 한하여 문학에 관하여 논의하였지만 루셀에 대한 논의의 중요성을 매우 적은 사람, 들뢰즈, 만이 알아보았다고 이야기한다. 푸코가 읽는 들뢰즈로 돌아가보자, 푸코는 들뢰즈의 “reversed Platonism” 을 이야기하며 (Foucault,…
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National Museum of Korea
I’m not an expert for the Religion nor History, but I found two subjects are fascinating. Firstly, the Korean Map in the 14th and 18th century were fascinating in terms of 14th century map’s symbolic abstraction and 18th map’s accuracy. I probably write more about those map in the later article but today I would…
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Present Presentation
Yesterday, I finished my presentation in the colloquium. Although I prepared my script for the presentation, I felt I needed to fix many things for my presentation, maybe for later. It is interesting to present one’s work, especially when it is not a single experiment but a whole year’s project. I want to write down…
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Present presentation in Colloquium
Yesterday, I finished my presentation in the colloquium. Although I prepared my script for the presentation, I felt I need to fix many things for my presentation, maybe for later. It is interesting how to present one’s own work, especially when it is not a single experiment but a whole year project. I want to…
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Close-up and Cinema
Main Reference: Mary Ann Doane, ‘The Close-up: Scale and Detail in the Cinema’, Differences, 14.3 (2003), 89–111 https://doi.org/10.1215/10407391-14-3-89.Tags: #cinema #Montage #Eisenstein #Epstein Reference at the front from Main reference, at the end from second reference 90 엡스테인 91-93 Semiotic role of the close-up 들뢰즈와 다이아그램 그리고 클로즈업 94 anthropomorphic close-up 95 Universal language and close-up…
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Deleuze and Diagram in the Architectural Point of View
Reference: Ben van Berkel and Caroline Bos, ‘Diagrams: Interactive Instruments in Operation’, in This Is Not Architecture: Media Constructions (London; New York: Routledge, 2002) 건축 스케치의 종류 Architecture as social discursive practice Meaning of the diagram 들뢰즈의 압스트랙 머신 Tools against typologies, 클리쉐와의 싸움 Instrumentalising the diagram 기구화[도구화]하다 Faciality: the operational dream. 결론 #toread https://deleuze.cla.purdue.edu/seminars/foucault/lecture-04…
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[안치용의 시네마 크리티크] 비바리움의 세계관이 실존주의와 다른 것, 같은 것
https://www.ilemonde.com/news/articleView.html?idxno=12998
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Where is My World?
In my childhood, computer game was a fixed space, without time or location. There was an event, and game items, but it was a fixed spacetime. During the game, I was able to divide the space inside the computer and the real physical space. As much physical time was frozen, computer game space was frozen…
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SEEABLE RELATIONSHIP. SAYABLE CONNECTION #04: In Search of Lost Time
This post is not organised writing or essay, but the fragmented thought. In the Dream and In-between Once the dream was known as the future to come. It shows the messages from the ancestors to warn the dangers or fortunes. Or, it was a desire that is suppressed long time, desired but unachieved affection. Now,…
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Merleau-Ponty (1948) – the World of Perception & the World of Science
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Why Gesture
Reference: Church, R. Breckinridge, Martha W. Alibali, and Spencer D. Kelly, eds., Why Gesture?: How the Hands Function in Speaking, Thinking and Communicating, Gesture Studies (Amsterdam: John Benjamins Publishing Company, 2017), vii https://doi.org/10.1075/gs.7 Gesture Study 3 4 397 398 398-401 (Neurological evidence Analysis) 401- (Psychological evidence Analysis) 402-404 404-405 Social Evidence (Chapter11-16) 405- (Gesture Functions…
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The Place of Artists’ Cinema
Reference: Maeve Connolly, The Place of Artists’ Cinema: Space, Site and Screen (Bristol: Intellect, 2009) Chapter 5 165 166 167 168 619 179 180 186 198 202 Conclusion: Materials, Places and Social Relations 211 217 218
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Media-archaeology and Artist: Rear‐View Mirror
202003290348 — Media-archaeology and Artist: Rear‐View Mirror Reference: Erkki Huhtamo, ‘Art in the Rear‐View Mirror: The Media‐Archaeological Tradition in Art’, in A Companion to Digital Art, ed. by Christiane Paul (Chichester, West Sussex ; Malden, MA: John Wiley & Sons Inc, 2016), 69- 일반학자들과 미디어 고고학과의 관계 69 70 71 아티스트와미디어고고학 — 시작전 72 73 74…
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Position of the Memories and Knowledge
What is the purpose of the photography? Depending on the profession or the situation, or even the devices. It can be various. Most of the time, especially with my phone , I take photos to remember the moment that I was there, or I found something to remain as a resource. Where is it mostly?…
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Processing: Pixels to Sound
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Peter Wollen’s Relationship Between Photography and Time
Photography is like a point, Film like a line.— Peter Wollen Photography near-zero duration and located in an ever-receding ‘then’. At the same time, the spectator’s ‘now’, the moment of looking at the image, has no fixed duration. Roland Barthes Barthes’ antipathy towards the cinema, which is because his aesthetic is governed by prejudice against…
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Wheeling Motion and Memory
Reference: Bruno, G. (2003) ‘Collection and Recollection: On Film Itineraries and Museum Walks’, in Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson. Amsterdam: Amsterdam University Press (Film culture in transition). Theories 13세기 부터 유행한 기억술은 기본적으로 수집(collection)과 재수집(recollection 회상)을 통해 공간을 맵핑하는 것과 연결 된다. Marcus Tullius Cicero’s version의 경우가 가장 유명한데, Quintilian가…
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Annette Michelson’s Camera Obscura, Camera Lucida
Reference: Turvey, M. (2003) ‘Introduction’, in Michelson, A., Allen, R., and Turvey, M. (eds) Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson. Amsterdam: Amsterdam University Press (Film culture in transition). Summary: 60년대 중반에 이르러 데리다가 미국에 유입되었고 이러한 흐름은 프랑스의 68의 흐름과 더불어 ‘resistance to semantic function’ 새롭게 다가오게된 미니멀리즘은 조각 필름 그리고…
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Indexicality
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Walter Benjamin and Archival Cultural Theory
@Benjamin’s understanding of the urgency of his own critical practice as a response to a history in which image culture was closely tied to political current & was undergoing rapid change with new technologies. Russell, C. (2018) Archiveology: Walter Benjamin and Archival Film Practices. Durham: Duke University Press (A camera obscura book).
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Archiveology
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Design – Directed, Controlled, and Persuasive
The frame started its history accompanied by the image. It shifted its form from the spatial environment, virtual image, spatial object, and once again into the spatial and time-based environment. In cinema, it is possible to speak a message through the narrative or by an actor’s line. The narrative consists of the movement of the…
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HalfandHalf_Walking
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090518 Small Room First Mockup
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Mockup Setting Process Document
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Degree show Plans
1. SYMBOL – Causality – Moving Image ver 1. ver 2. ver 3. ver 4. test 2. INDEX – rules & laws – Frame Conceived for Fabergé’s Easter storefront display, the 360-degree mapped 3D installation is based on the company’s pendent designs – which are 1/100th of the size of the 1.5m model – and incorporates…
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Experimental Video Art and frame / Theories
Screen-based sculpture and experimental artworks in the late 1960~1970s in which the cinematic process and the screen itself emerge as an object of investigation. Viewing regimes are literally and figuratively put on display in these environments. emotion -> sound -> sound -> visual structure is not making but shifting. Text is form of the soundImage is form of…
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Plan for pin-ups
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What I Should Do Consider as a Designer
Flow Experiment –> Perceive –> Analyse –> Organise –> Symbolise –> Synthesize Analyse (Kant) Designer’s art
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New Media
The-language-of-new-media 71p New representational style of semi-abstraction which, along with photography, became the “international style” of modern visual culture, required the viewer to reconstruct the represented objects from the bare minimum — a contour, few patches of colour, shadows cast by the objects not represented directly. International style and organical culture have a different direction.…
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Artists’ Cinema
Artists’ Cinema: Projected ImagesMalcolm Le Grice – Threshold (1972) – YouTube In Fall 1974, Muhammad Ali knocked out George Foreman in 8 rounds in The Rumble in the Jungle, Roman Polanski’s Chinatown was playing in theatres, and a brand new Walker film/video department opened their first gallery exhibition. This year’s Artists’ Cinema series, Artists’ Cinema…
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230418 a Month Plan for Submission
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Movement-Image Sign
The Glossary Table below can be continued by reading on Deleuze’s Time-Image in Bergson’s Time Cinema Time
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Future Cinema
Future Cinema (2002) on Vimeo Preface One aspect of globalisation is the development of a worldwide network of technological standards and production. This production costs encouraged investment in new digital technologies, in general, the price of globalisation is standardisation: optimise existing formulas and freezes the process of technological and expressive experiments. Three phases of the…
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Film Before Film, Before Images
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C4D Practice
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Lethaby EXHIBITION: TEMPORALITIES
TEMPORALITIES Space research
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Gordon Matta-Clark
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WIP Show Testing
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Post-Pin-up testing
Continued from 1902 Pin-up testing Video Testing
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Monitor and Video – Stillness
References https://0100101110101101.org/
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How to Get to Extensible Space?
「何故いままでその美しさに気がつかなかったのか。何故いままでその狂気に気がつかなかったのか。金魚には全てがある。だから美しいのだ。」 https://www.fibreglassdirect.co.uk/water-clear-casting-polyester-resin.html The movement of the Video
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1902 Pin-up Testing
Front View Rendering the Video in one Frame
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Compressing
“I would say that the analysis consists precisely in distinguishing the person lying on the analysts’s couch from the person who is speaking. With the person listening [the analyst], that makes three persons present in the analytical situation, among whom it is the rule that the question … be put: Where is the moi of…
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Circles and Squares / Interactive Narratives
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Again Frame as A Space
0. Questions 1. Mapping the idea 2. Text References 3. Image References
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A Man Replaced Retina / Zbig Rybczynski
The culture Between international and organic in reality have a different direction. To explain the picture of the organic culture, Lev metaphorically called it as “Remix”. After postmodernism, which was the remix of the traditional and modern style, and now the second step of the remix triggered remix of the traditional and the cultural sensibility. Lastly,…
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MAGCD Pinup 22 JAN 2018
References* Kurt Schwitters, Okola, 1926 Kurt Schwitters: Color & Collage Princeton University Art Museum through June 26, 2011 Valery Oisteanu VIDEO ROOM 1000 COMPLETE MIX — All 1000 videos seen in sequential order! – YouTube“Sandbox” at Santa Monica Beach (2010) by Rafael Lozano-Hemmer on Vimeo* Kinetic ArtHD Ultimate Kinetic Art Compilation – YouTube Personal OpinionObserving…
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Screen & Computer vision
COMPUTER VISION IN INTERACTIVE ART Videoplace, Myron Krueger (1985) – YouTubeRyoji Ikeda – dataplex (Full Album) – YouTube 뉴미디어의 원리 [New Media]* 수적 재현(numerical representation)* 모듈성(modularity)* 자동화(automation)* 가변성(variability)* 부호 변환(cultural transcoding)
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Four-dimensional Space
Wikipedia.org. (2018). Four-dimensional space. [online] Available at: https://en.wikipedia.org/wiki/Four-dimensional_space [Accessed 18 Jan. 2018]. Wikipedia.org. (2018). Tesseract. [online] Available at: https://en.wikipedia.org/wiki/Tesseract [Accessed 18 Jan. 2018]. Hiroshi Sugimoto Pixels in Memory Openframeworks.cc. (2018). ofBook – Image Processing and Computer Vision. [online] Available at: http://openframeworks.cc/ofBook/chapters/image_processing_computer_vision.html [Accessed 18 Jan. 2018].
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The Animal and Frame
I believe Visual language is the strongest communication tool to deliver the invisible idea to visible, through the human sense. Primarily, the photography has the signified which the event has already happened in the past. The moment we called “evidence of the past” constitutes the elements of the photography that make its aliveness and the…
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Still Moving
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Sound-on-film
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Baudrillard, ‘Fetishism and Ideology’
There is no such thing as pure visuality, except as a concept or a theoretical construction, generated in a historically and culturally specific context. The work of art that consists solely of an idea is a collective fantasy that has haunted the history of modern art. The regime of visuality and visibility incites a frenetic…
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Willem Oorebeek
He opts for illustrations, passages of writing, or manipulated images that have an autonomy without being too recognisable or seductive. Although images in general only have any meaning in a particular context or when linked to specific information, Oorebeek gives the images he chooses a certain independence. His selection thus also implies a value judgement,…
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Zoo research
References Text Parker, Ian. Killing Animals at the Zoo. (2017) [online] The New Yorker. Available at: https://www.newyorker.com/magazine/2017/01/16/killing-animals-at-the-zoo?reload=true [Accessed 28 Dec. 2018]. PDF Daston, L. & Mitman, G. (2005) Thinking with Animals. Columbia University Press. PDF Popova, M. (2014). Thinking with Animals: From Aesop to Darwin to YouTube. [online] Brain Pickings. Available at: https://www.brainpickings.org/2015/04/16/thinking-with-animals-lorainne-daston-gregg-mitman/ [Accessed 31…
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Jumping
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Recent doodles
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Intermediate intersection
I believe, we are not deciding rather AI ( it can be applied to the other group of people and I ) is different with us/me or not. Each of our choice reveals and exposes the traces and finally concrete differences as variations. Those newly exposed frame define me and you. Eventually, in the future,…
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p5js
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Eyes to Eyes – Review of Cover to Cover
The meaning of the cover to cover can directly point the starting point of the movement, but also it can be interpreted as a two different dimension of the eyes meet other eyes. In this book, there is no distinction between the human and object existence, but only various types of the eyes meet each…
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Difference and Repetition
Deleuze, G. (1994) Difference and Repetition. A&C Black. Conscience suffers from the following ambiguity: it can be conceived only by supposing the moral law to be external, superior and indifferent to the natural law; but the application of the moral law can be conceived only by restoring to conscience itself the image and the model…
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The Colour of the Noise
Geere, D. (2017). White, pink, blue and violet: The colours of noise . [online] Wired.co.uk. Available at: http://www.wired.co.uk/article/colours-of-noise [Accessed 26 Nov. 2017].
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Eatock.com
Eatock.com. (2017). Reflections : Daniel Eatock. [online] Available at: http://eatock.com/2014/reflections/ [Accessed 24 Nov. 2017].
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Symposium Plan
Concept Simple, Direct and Clear ( I should )NO arbitrary Image research / experiment ( pixel picture ) → ( 4 ) Rearrange ( colour to become 3D blocks ) Story I Talk, Image reactImage Move itself. Questions Circular reciprocal Relationship Problem 
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Screen frame practice 2
Continue Practice from Screen frame practice
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Domains and image schemas
Clausner, T. C. & Croft, W. (1999) Domains and Image Schemas. Cognitive Linguistics. 10 (1), 1–31.
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Informed matter 2
Pinker, S. (2013) Language, Cognition, and Human Nature. Oxford University Press. p.117: brain stores the arrangement of the object’s parts with respect to a coordinate system centred on the object itself rather than on the viewer’s eyes, head, or body. — Highlighted 15 Nov 2017 p.117: people took longer to recognize a shape when they…
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Explanatory Representation
The age of the World Picture Essential Phenomena of modernity To grasp the essence of contemporary science we must first free ourselves of the habit of comparing modern with older science – from the perspective of progress – merely in terms of degree. The essence of what is today called science is Research, which consists…
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Shape of Error
Accident Harmony
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Screen frame practice
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Simple complication
Towards a complex simplicity Andrew BlauveltDaniel EatockDave Eggers In the face of global branding, designers are seeking inspiration from the everyday
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Personal and internal Manifesto/Diary
Diary is personal, which it makes obtain two contrary concepts. Diary usually locked and sealed by the owner, so the only author can pursue its contents. It is the pure form of the expression from the interpretation of him/herself. He ( let’s be simple. He just represents a human being ) is the author of…
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Informed matter
#Extract and added #thought from #Flusser, V. (1999). Shape of Things. Reaktion Books. matter / form. – content / container The world of phenomena that we perceive with our senses is an amorphous stew behind which are concealed eternal, unchanging forms which we can perceive by means of the supersensory perspective of theory. The possibility…
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Certified copy of an entry
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The Communication Theory Reader
The communication Theory Reader::Cobley, P. (1996). The communication theory reader. London: Routledge. Language Lévi-Strauss Each opposite Adverse enshrined in the other side. For example, Micro enshrined in the Macro, and vice versa. and how language is the central institution of any society. The implication is that human thought is programmed by a pre-determined set of…
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Frame
Questions Thingness Narrative or Descriptive, the frame was a key component of a representational system dependent on the limitations of its frame. @Damisch writes, perspective is a “structure of exclusion, the coherence of which is based on a set of refusals”. Not only the painter but the viewer of perspective was Immobilised by the logic…
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Bruno Munari
“Munari, Bruno. Design as Art. Penguin Books, 2008.” without losing his innate authentic sense he must be able to respond with the humility and competence to the demands is neighbours make of him. Designers re-establishes the long long last contact between art and the public. Bruno said that live in people and art as a…
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Ratio
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A4 – 002
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A4 – 001
A4 001 – 0311 Mediated perception
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Standardisation of the paper
Norbert Bolz pointed out that print media has properties of matter/actuality with actuality’s function which makes it superiority. Print media can be easy to handle, quickly take a view, can touch and even can through. It is the power of the newspaper or the book stronger than the Online properties. This actuality by the printed…
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a Boat