• Benjamin’s cultural theory is significantly oriented toward the avant-garde as the corollary(필연적 결과적) to the implicit (내제하는) dangers of the society of the spectacle.

• @Guy_Debord와 이 사상을 공유한다. -> an insistence on dismantling the society of the spectacle)

@Benjamin’s understanding of the urgency of his own critical practice as a response to a history in which image culture was closely tied to political current & was undergoing rapid change with new technologies.

Russell, C. (2018) Archiveology: Walter Benjamin and Archival Film Practices. Durham: Duke University Press (A camera obscura book).